By Amara Thornton

I came across the magazine Egypt and the Sudan while finishing up Archaeologists in Print. But it wasn't till after the book was published that I had the chance to look at a full run of the magazine, which is held at the Egypt Exploration Society.

You can find my post "A Magazine for the Season" on the Egypt Exploration Society's blog here.

By Amara Thornton

I'm delighted to have an article published in Issue 5 of Hellebore, a zine of essays and art on various gothic and folk-horror related topics, under a general theme. Issue 5's theme is "The Unearthing"; my article "The Stones of Initiation" explores how the history of archaeology in the Caribbean connects to the Caribbean folk-practice Obeah. 

By Amara Thornton

Back in 2016 a colleague tweeted a picture from the 1951 Festival of Britain. It showed an archaeological display in the Festival's Dome of Discovery. I was immediately intrigued, and even bought some vintage Festival ephemera with a plan to write a blog post about it.  

​My planned post never materialised, but luckily I have recently had the opportunity to write about archaeology at the Festival, as a response to Jacquetta Hawkes' book A Land (1951) as part of the Museum of English Rural Life's 51 Voices exhibition.

Read "Jaquetta Hawkes' Festival Lands" here.

By Amara Thornton

One (let's imagine sultry) evening in August 1943, the 6th, to be precise, over two hundred people, so the records say, turned up to the Institute of Archaeology in Regents Park. They were there to hear the opening address of a large-scale two-day conference, ambitiously titled "The Conference on the Future of Archaeology".
 
I've known about this conference for a good while now, ever since a friend of mine acquired a second-hand copy of the subsequent publication. This publication is a historian's dream, because whoever was taking notes at the conference (let's be honest it was probably one of the many women on staff there) did an outstanding job. So, the publication records not only the speakers at the conference, but also the chairs, the people who offered comments at the end of each session, and other people who later wrote in with their thoughts. 
 
Because this document gives such an amazing snapshot into the world of British archaeology (overseas and domestic) in the midst of war, I've taken it upon myself to give you the programme, arranged in such a manner (courtesy of the conference publication Table of Contents which puts the papers in the order given here) as to reflect a conference lineup, including chairs, speakers, discussants and correspondents.  The paper and session titles are as given in the Table of Contents.
 
Where possible, I have linked to Wikipedia entries for individuals (not all of them have Wikipedia entries). For some, I have found alternative online biographies. Others will have to remain link-less for the time being. Links have been provided once only - the first time a name appears in the text. Thanks to the power of Twitter, I've had help from various colleagues to ensure that nearly all of the women whose names are recorded in the publication have first and last names, making them (I hope) easier to trace in future. 
 
I have made a few changes to the names as listed in the conference publication. Frequently I have included first names (or at least the names individuals commonly used) – the programme tends only to include initials and last names for men, and titles and last names (or married names) for women. Where possible I have included maiden names (in parenthesis) for married women. I have also put affiliations as they are listed in the programme. These reflect the affiliations applicable to speakers and chairs at the time of the conference. 
 
Most of the sessions were followed by discussions. These were recorded after the end of the abridged conference papers in the publication – I have listed the names of the "Discussants" after each session where they are given. The publication also included extracts from letters from people who were unable to attend (due to war-related duties overseas, for example) so these "Correspondents" I have listed underneath discussants.
 
For more information on the conference, please see Gabriel Moshenska's article in Archaeology International.  
 
Opening Presentations
 
Charles Peers (University of London) - Opening Address 

Grahame Clark (Cambridge) -" The Contribution of Archaeology to the Post-War World" 
 
Session 1: "The Future of Discovery: Archaeology at Home"
Chair: AW Clapham (Society of Antiquaries)
 
Christopher Hawkes (British Museum) – "Prehistoric Archaeology"
Ian Richmond (Durham) –"Romano-British Archaeology"
TD Kendrick (British Museum) – "Mediaeval Archaeology"
 
Discussants: John Linton Myres, Dina (Portway) Dobson, Marjorie Venables Taylor, Mr Glendenning, EC Curwen, Mr Hockheimer, N. Bradfer Lawrence, Jacquetta (Hopkins) Hawkes, Mr Bromhead, Margaret Murray, WF Grimes, Kathleen Kenyon, Kenneth Oakley, H St George Gray, Cyril Fox
 
Correspondents: CH Desch, AHA Hogg
 
Session 2: "The Unity of Archaeology"
Chair: Gertrude Caton-Thompson (Prehistoric Society)
 
Gordon Childe (Edinburgh)
 
Session 3: "The Future of Archaeology: Archaeology Overseas"
Chair: John Winter Crowfoot (British School of Archaeology in Jerusalem)
 
John Linton Myres (Oxford/British School at Athens) – "Greek and Roman Archaeology"
Claude Schaeffer (French National Museum) – "Syrian, Palestinian and Turkish Archaeology"
Ernest Mackay (Independent Excavation Director) – "The Archaeology of Iraq, Baluchistan and India"
HAR Gibb (Oxford) – "Islamic Archaeology"
 
Discussants: Kathleen Kenyon, CFA Schaeffer, OGS Crawford, Olga Tufnell, Hilda Lorimer, Mr Bushnell, Leonard Woolley, Mr Shuttleworth, Norman Baynes, Gordon Childe, AW Lawrence, Dorothy (Simmons) Mackay
 
Correspondents: Guy Brunton, Hilda Lorimer, George Kirk
 
Session 4: "The Training of Archaeologists"
Chair: Gordon Childe (Edinburgh)
 
Kathleen Kenyon (University of London) – "Training for Field Work"
John D. Beazley (Oxford) – "University Training"
DB Harden (Ashmolean Museum) – "Training in Interpretation and Presentation"
Frederick Zeuner (University of London) – "Training in the Subsidiary Sciences"
 
Discussants: Margaret Murray, Margaret Whinney, ND Lacaille, Claude Schaeffer, Edith Stiassna [Stiassny], Sylvia Benton, Margot Eates, Alexander Keiller, Kathleen Kenyon, Aileen (Henderson) Fox
 
Correspondents: AHA Hogg
 
Session 5: "Records and Discovery – Local and National"
Chair: TD Kendrick (British Museum)
 
Cyril Fox (National Museum of Wales)
 
Discussants: H St George Gray, Agnes (Conway) Horsfield, WF Grimes, John Linton Myres, Christopher Hawkes, EC Curwen, Mr Swede, Mary (Kitson-Clark) Chitty, Cyril Fox
 
Session 6: "Planning and the Independence of Societies"
Chair: Frederick Kenyon (British Academy)
 
John Nowell Linton Myres (Oxford) – "The Need for Planning"
H St George Gray (Somerset County Museum) - "Societies Working at Home"
Alan Gardiner (Egypt Exploration Society) – "Societies Working Overseas"
 
Discussants: Grahame Clark, Margaret Whitley, Mr Turner, Phoebe Keef, Mr Faulkner, Joan du Plat Taylor, Margaret Murray, Mary (Kitson-Clark) Chitty, Claude Schaeffer, Miss M. E. Shaw, Jacquetta (Hopkins) Hawkes, Dorothy (Simmons) Mackay
 
Correspondents: CFA Schaeffer
 
Session 7: "Archaeology and the State at Home"
Chair: OGS Crawford (Ordnance Survey Department)
 
WF Grimes (Ordnance Survey Department)
 
Discussants: Claude Schaeffer, Elise (Goldschmidt) Baumgartel, Mr Dunning, Mr Glendenning, Dr Clark, Kathleen Kenyon, OGS Crawford, Peter Shinnie
 
Session 8: "Archaeology and the State Overseas"
Chair: John Linton Myres (Oxford/British School at Athens)
 
Leonard Woolley (Independent Excavations Director)
 
Discussants: JH Iliffe, AJ Arkell, Seton Lloyd, Kathleen Kenyon, Alan Gardiner, Mr Swede, Dr le May, Gertrude Caton-Thompson, CFA Schaeffer, Frederic Kenyon
 
Session 9: "Museums and the Public"
Chair: DA Allan (Liverpool Public Museums/Museums Association)
 
Christopher Hawkes (British Museum) – "National Museums"
FS Wallis (Bristol Museum and Art Gallery) – "Other Museums"
 
Discussants: Jacqueline Tyrwhitt, Norman Baynes, Fritz Saxl, WF Grimes, Mary (Kitson-Clark) Chitty
 
Correspondents: Stuart Piggott 
 
Session 10: "Archaeology and Education"
Chair: Janet Ruth Bacon (Royal Holloway)
 
Dina (Portway) Dobson (Independent Scholar) – "Elementary Schools"
Philip Corder (Verulamium Museum/Society of Antiquaries) – "Secondary and Public Schools"
Henry Theodore Wade Gery (Oxford) - "Universities – Oxford" 
DS Robertson (Cambridge) – "Universities – Cambridge"
WJ Varley (Liverpool) –  "Universities – Other"
Mary (Kitson-Clark) Chitty (Yorkshire Museum/Yorkshire Archaeological Society/Hull) – "Adult Education"
 
Correspondents: Beatrice de Cardi, Stuart Piggott
 
Summing Up
Chair: Harold Claughton (University of London)
 
Cyril Fox (National Museum of Wales)

By Amara Thornton
 
I spent quite a bit of 2020 researching the history of archaeology in the Caribbean. Last month I launched a website that included digital interactive on archaeological collections histories linking Britain and Barbados. Among the locations highlighted on the map of Britain in "Mapping Collections Histories" is South Kensington, where in 1886 the Colonial and Indian Exhibition took place. 
 
I've been interested in temporary exhibitions of archaeology for years now; my initial efforts to trace the small annual temporary displays of material excavated by British archaeologists in Egypt, Sudan, Palestine and Iraq in the late 19th and early 20th centuries was published in 2015.  There were displays of archaeological material in World's Fairs, too - I've blogged about the displays of ancient Egyptian artefacts at the 1904 World's Fair in "I'll Meet You in St Louis". 
 
The Colonial and Indian Exhibition in 1886 included displays of 'archaeological' material (by which I mean artefacts that were at the time considered to be material culture from the ancient Indigenous peoples of the islands, usually called "Carib relics") from across the Caribbean, including Barbados, St Kitts, British Guiana (Guyana), Dominica, St Vincent, Jamaica, and Trinidad.  But as I've recently found out, it wasn't the first time collections of artefacts from the Caribbean were brought together. 
 
In 1879, a series of local exhibitions were instigated in British Guiana, in part to strengthen ties and encourage friendly competition between colonies in the Caribbean. A description of the 1882 exhibition was published in Timehri, the journal of the colony's Agricultural and Commercial Society. The displays were grouped into two broad categories – sugar, and everything else. The second (miscellaneous) group included manufactured products, and antiquities. The exhibition featured two collections, one of artefacts from St Vincent belonging to Edward Leycester Atkinson, and the other from St Lucia, belonging to a Mr Rousselet. 
 
The following exhibition did not take place until November 1885, on a slightly grander scale. The British Guiana and West Indian Exhibition featured displays from Guiana and beyond. It was hoped that other islands would contribute, but the Timehri report on the exhibition noted that calls for displays for the Colonial and Indian exhibition had diverted much desired material to London.  Among the islands that did respond were St Vincent, Tobago, Trinidad and Dominica. 
 
Again among the Miscellaneous group of the exhibition were collections of artefacts for display. Dr Henry A. Alford Nicholls, an English physician resident in Dominica who had an interest in zoology and horticulture, sent a collection of antiquities from that island (for which he won a prize).  These had been previously displayed at an exhibition in the Courthouse, in Roseau, Dominica's capital, held to fundraise to cover the expense of shipping items to British Guiana for exhibition.
 
Another collection on display in 1885 was uncovered in the grounds of a sugar plantation, Enmore, in British Guiana.  This plantation had been in the hands of the Porter family for over a century. It was Rashleigh Porter, great-grandson of the first Porter (Thomas) who had established the plantation, who reported the discovery of artefacts, including stone tools and "some grotesque clay figures, of a highly artistic kind", as the Editor of Timerhi Everard im Thurn reported.  Another rich seam of artefacts was uncovered when agricultural digging on the estate revealed deposits of pottery sherds and human and animal remains. 
 
Some of the details about these 'local' (to the Caribbean) exhibitions come from digitised newspapers that have recently been added to the British Library's British Newspaper Archive. In the announcement promoting these newly added resources, the British Library has signalled a commitment to incorporate more colonial papers (and thereby colonial histories). Among the lot available now are searchable papers from Dominica, Jamaica, Barbados and Belize (formerly British Honduras).  These now join other digitised searchable resources (see my post "Building Collections Histories") revealing various aspects of the history of the Caribbean in the 19th and 20th centuries. I'm looking forward to exploring these further, and to seeing the collection of available searchable material grow in the coming months!
 
References/Further Reading
[Exhibition] Committee, 1885. British Guiana and West Indian Exhibition, 1885. Timehri 4: 268-293
 
Dominica Dial [Advertisement for Exhibition at Courthouse] [British Newspaper Archive] 24 Oct.
 
Dominica Dial, 1885 British Guiana and West Indian Exhibition. [British Newspaper Archive] 21 Nov.
 
im Thurn, E. 1882. The British Guiana Exhibition of 1882. Timehri 1: 100-117.
 
im Thurn, E. 1884. West Indian Stone Implements; and other Indian Relics (Illustrated). Timehri 3: 103-137.

By Amara Thornton

This month I launched the website for a project I've been working on for the past few months: Narrating the Diverse Past.  It was a joint University of Reading and British Museum partnership project, and had a number of different parts.
 
One of the parts was a digital interactive exhibition, "Mapping Collections Histories: Connecting Barbados and Britain".  This grew somewhat organically from the research I began earlier in the summer (see Colonial Archaeology in the Caribbean), but with a focus on histories of archaeological collections that connected Barbados to Britain (as the title suggests). 
 
I've explored some of the storylines in this exhibition via threads on Twitter, but in this post I want to talk a bit more about the illustrations that accompany my text in the exhibition.  These are the work of Michelle Keeley-Adamson, whose illustrations from historic excavation photographs I was introduced to during the summer.
 
The Mapping Collections Histories exhibition features three different maps. The base map shows Britain and Barbados "in context" as it were, with a dotted line to highlight the distance (and connection) between them.  This is loosely based on an old map of the British Empire.  Then there are separate maps of Britain and Barbados.  
 
The Barbados map shows the basic outline of the parish boundaries (the equivalent, basically, of counties in the UK), and has 5 illustrations superimposed to highlight five locations relevant to the theme of the exhibition. Each illustration is based on historic photographs or drawings that we found online.  The illustration for Farley Hill, home of Barbadian collector Thomas Graham Briggs, was based on an old postcard; the drawings for Mount Ararat Estate and Conset point were based on illustrations in an article published in 1870 by the British antiquarian Greville Chester, who explored, collected and conducted an excavation during his roughly year long residence in Barbados in the late 1860s. The illustration for Bridgetown is based on historic photographs of the city streets. The illustration for Codrington College is based on photographs from old Barbados guidebooks online. 
 
For the Britain map, again we turned to historic images found online and digitised books. One of the most exciting elements of this map for me was seeing Michelle's recreated display interiors for the Colonial and Indian Exhibition 1886, based on images from the Illustrated London News and from Frank Cundall's Reminiscences of the Colonial and Indian Exhibition. The Blackmore Collection in Salisbury image is based on old photographs and an Illustrated London News drawing of the interior of the museum, which was closed in 1930s.
 
I hope you enjoy the exhibition as much as I enjoyed creating it!

By Amara Thornton

For the past few months, I have been investigating the history of archaeology and archaeological collecting in the Caribbean island of Barbados in some detail.  This is part of my current research project called "Narrating the Diverse Past" (of which more to come!).   
 
As one of the oldest English colonies in the Caribbean, first established in the 1620s, Barbados's long historic connection to the UK pre-dates the Acts of Union which brought England, Wales, Scotland and Ireland together to form the United Kingdom of Great Britain and Ireland (now the United Kingdom of Great Britain and Northern Ireland). 
 
These connections are becoming more visible in the heritage landscape in Britain today.  Reports on historic properties and monuments connections to the Caribbean have been produced by English Heritage (2007,2013) and, most recently, the National Trust (2020) and the Colonial Countryside project. Work is ongoing in Scotland exposing the links between Scottish heritage sites and houses and slavery. The Legacies of British Slaveownership database is also an important resource for exploring links between Britain and Barbados, as it pulls together records on individuals who received compensation for the freeing of the enslaved people forced to make the Caribbean a profitable enterprise for others. 
 
These projects have drawn much attention both  to the horrors of the Transatlantic Slave Trade and to the diversity of the beneficiaries of the compensation, the debt for which the UK Treasury only paid off in 2015. But my primary area of focus has been on the period after slavery was abolished, and aspects of the continuation of the connection between Britain and Barbados during the rest of the colonial period (Barbados gained independence in 1966, and just this year the Barbados government announced it would no longer have the Queen as head of state).

One of the ways in which this post-slavery connection can be explored is through university records.  Beyond Oxford and Cambridge these records can be difficult to source, depending on how universities recorded the student body over time, and how much effort (and resource) has been devoted historically to maintaining and researching these records.  However, Oxford and Cambridge are a useful starting point, particularly because both Universities attracted students whose families had long-standing connections to Barbados (some established during the days of slavery and continued through sugar production after emancipation) and because many Oxford and Cambridge graduates were employed in various roles in administration, education, and the military, across the British Empire. 
 
Cambridge University has developed an online searchable database for its student records, and these records comprise an illuminating dataset for British-Caribbean connections (see also the Black Cantabs project). Combining biographical details from published student records produced in the early 20th century, with lists of students attending Cambridge's women's colleges (women attending Cambridge could not be full members of the University, or get Cambridge degrees, until 1948), this database is a valuable historical resource.
 
The records it pulls together for Barbados, for example, show that Barbados' Cambridge connections stretch back to the late 17th century. The more than 320 records of students with links to Barbados cover various relationships to the island: students who were born there, whose parents were born there, who worked there, who inherited property there, who married someone from there, who died there – and sometimes a combination of all of these.
 
For my purposes, at least two of these student records are significant in the archaeological collecting history of Barbados (though I suspect there are probably more).  Thomas Graham Briggs (1833-1887, B. A. 1856, M. A. 1862) and John Poyer Poyer (1843-1925, B. A. 1866, M. A. 1869) both exhibited artefacts from Barbados in the 1886 Colonial and Indian Exhibition. Both men had family estates in Barbados.
 
At present I know nothing about John Poyer Poyer's collection, beyond the fact that his "Carib relics" were on display in the Barbados room of the Colonial and Indian Exhibition.  Historic records and artefacts from Barbados belonging to Thomas Graham Briggs were on display in various parts of the exhibition. A selection of Briggs' artefacts is now in the British Museum, acquired a year or so after his death in London in 1887. According to the Museum's Collections Online, these are not from Barbados but rather a smattering of other Caribbean islands, including Nevis, where Briggs owned three estates in addition to his estates in Barbados.  (There will be more from me on Thomas Graham Briggs and his artefacts coming soon.)
 
These two individual stories are just the tip of the iceberg, as the saying goes, in exploring the educational connections between Britain and the Caribbean. I hope that more UK universities can put resources into investigating and publicising their institutional histories and student records to reveal these imperial connections. The University of Edinburgh has begun this work with its Uncover-Ed project; Pamela Roberts has been working at Oxford on the Black Oxford project. The University of Glasgow, similarly, has a website for its historical international student body called International Story.
 
Codrington College in Barbados (Thomas Graham Briggs' alma mater) had a historic tie with the University of Durham from 1875 to 1955, during which students could take degrees from Durham.  In the 19th century the UK university sector expanded significantly as universities and university colleges opened in various cities and towns across England. I'd love to know how many Barbadians were able to take up opportunities to study here during that period, and what happened to them...

By Amara Thornton
​
Earlier in the summer I started an investigation of the history of archaeology in the Caribbean during the late 19th century.  When writing the post I came across references to Irish artist and author Edith, Lady Blake, wife of the Governor of Jamaica, who was credited with being a local collector and promoter of archaeology on the island in the Institute of Jamaica Journal.  
 
In 1890 Edith Blake wrote an article, "The Norbrook Kitchen Midden", published in the Victoria Quarterly, a short-lived periodical associated with the island's similarly short-lived Victoria Institute. Established in 1887 in association with Queen Victoria's Golden Jubilee (celebrating 50 years on the throne) the Victoria Institute was, according to the Handbook of Jamaica, devoted to "the intellectual improvement of its members and the promotion and cultivation of a taste for literature, science and art in Jamaica generally."   Judging from the tables of contents of the Victoria Institute's Quarterly (some of which have handily been put online here) it served as a general periodical for science, literature and history – the perfect venue for Blake's article.
 
At the time I wrote my initial post, I had not yet been able to access a copy of the original article, but surmised that it comprised a summary of her excavation of the site. I've now seen it, and to my surprise it reveals not only Lady Blake's association with the site, but the role of another woman as well.
 
Blake's "Kitchen Midden" is a summary of discoveries made in fields near the Shortwood Teacher Training College, and Blake's speculations on their significance, rather than an explicit presentation of work that she had directed herself.  She reported that children finding shell fragments on a site significantly far away from the shore had collected them and brought the collection to Amy Charlotte Johnson, the Principal of the Training College. Johnson had studied at Oxford, obtaining an "Associate in Arts", and had further obtained teacher training at Cambridge before she took her post in Jamaica in 1885. (Her movement from the UK to Jamaica – and, presumably, back again – is part of a larger history of education in the colonial Caribbean).
 
It appears that Johnson had some familiarity with archaeology – in 1889, four years after her arrival, she published an article titled "The History of Auvergne", in the Victoria Quarterly.  It included a summary of the archaeology of the region and its links to Etruria.  Johnson was clearly invested in building up the Jamaica's cultural resources; thanks to the digitised archives of the Jamaica Gleaner I found that she also donated a live specimen to the Institute of Jamaica Museum in 1895. She left her post in 1899, and it's not clear at the moment what happened to her thereafter.
 
By the time Edith Blake wrote "Kitchen Midden", she had already established her interest in archaeology. While her husband was Governor of the Bahamas, in the years prior to their arrival in Jamaica, she had explored caves in Rum Cay, a small island south of Nassau.  The sketches she made of petroglyphs from this cave, and her short report documenting her trip, were published in the Journal of the Bureau of Ethnology.
 
It's hard to say at this stage how much involvement in the excavation of the Norbrook Kitchen Midden either Edith Blake or Amy Charlotte Johnson had. The Institute of Jamaica Journal records that the Committee of the Institute was responsible for directing the work; but I suspect that both women were involved in some capacity, probably unofficially.  There will hopefully be more to come!
 
References/Further Reading
 
Blake, Edith, 1890. The Norbrook Kitchen Midden. Victoria Quarterly 2(4): 26-33.
 
Coburn, Patrick, 2011. The girl in the painting. Independent. 28 June: 12-13.
 
Daily Gleaner, 1889. The Victoria Quarterly Magazine. 5 August: 2.
 
Daily Gleaner, 1891. Institute of Jamaica: The Museum. 13 November: 2.
 
Daily Gleaner, 1899. The Case of Miss Johnson. 21 March: 7. 
 
Mallery, Garrick. 1893. Picture Writing of the American Indians: Bahama Islands [Edith Blake's report]. Tenth Annual Report of the Bureau of Ethnography. Washington, D. C.: Government Printing Office. pp. 137-9.

By Amara Thornton

Archaeological reports can be enlightening resources for the history of archaeology. These come in a variety of contexts – you can see British archaeologist John Garstang's interim field reports, handwritten with captioned photographs included, in the "Egypt in Reading" exhibition. These were composed for his funders, sent to Britain from Egypt, and circulated. 
 
Flinders Petrie (and later Hilda Petrie), too, produced field reports from his excavations in Egypt (called Journals) which were circulated – the Griffith Institute has been digitising these, and you can see the lists of people to whom these reports were sent. 
 
I've been recently looking through the journal published by the Egyptian Antiquities Service – the Annales du Service des Antiquites. This journal features reports on the work of the Service and on other excavations being undertaken in Egypt in three languages: predominately French, but also English and German (depending on the author in question).* Some of the issues are (thankfully) online, and they provide important details on the work of the Service and, critically, the individuals who contributed to that work.  This includes not only the Egyptian and foreign inspectors working for the Service, but also their contacts: other officials and experts (some Egyptian); Egyptian foremen (referred to in late 19th century English and French as "rais" or "reis", in Egyptian Arabic رياس transliteration roy yas) working on excavations; independent excavators; Egyptian night guards for villages/sites (referred to in late 19th century English and French as "g[h]afir" plural "ghofera", in Egyptian Arabic غفير); and experienced porters.  
 
As an experiment, I went through the first volume of the Annales (1900) and came up with a list of individuals mentioned by name. The names and references to work yield an illuminating snapshot of the Department's activities at the end of the 19th century.  Some of these individuals are more well known than others - links, where possible, to biographies are provided, and references to specific areas of work as mentioned in the reports are given. The diversity of people listed is remarkable. A selection follows:

• Victor Loret, Director of the Antiquities Service (1897-1899)

• Gaston Maspero, Director of the Antiquities Service (1899-1914)
• Mohammed Effedi Chaban, Inspector at Rodah for the Service, who supervised Farag Ismail and Yassa Tadros's excavations at Deir el Aizam (see below)
• Georges Daressy, working for the Egyptian Museum
• Georges Legrain, designated conservator for the Antiquities Service at Karnak
• George Willoughby Fraser, engineer working for the Egypt Exploration Fund
• Percy Newberry, excavator for the Egypt Exploration Fund
• Claudius Labib, expert in Coptic history and language
• Alessandro Barsanti, Conservator/Restorer for the Antiquities Service at Saqqara
• Jacques de Morgan
• Mohammed Dohair, working with Daressy and Barsanti for the Museum at excavations of the necropolis at Meir and continued the excavations after Daressy and Barsanti left
• Ali a El Sabah, ghafir غفير at Meir who reports on tombs
• Fouli Abd el Kafi, رياس roy yas for the tomb of Pepi-Ankh excavations, Meir, with Daressy leading excavations during a painted wooden statue of Pepi-Ankh and other figurines were discovered
• Eugene Grebaut
• Mohammad Chain, Inspector of Antiquities who worked at Dendereh in 1897
• Farag Ismail
• Yassa Tadros, Tadros and Ismail applied to the Service to excavate necropolis at Deir el Aizam, near Asyut. Ismail stopped after a short time, Tadros continued without him.
• Sobbi Effendi Artif, translator into French of Chaban's Arabic-language report on excavations at Deir El Aizam
• Mahmoud Bey Fahmy, engineer of Luxor district, reporting on the 3 October 1899 disaster at Karnak, during which columns at the temple of Amun collapsed
• Ch. Nicour Bey, Engineer in Chief to Egyptian State Railways, appointed by the Minister to survey the scene at Karnak.
• Youssef Ahmed, supervisor at Karnak who was at the scene of the disaster
• Ahmed Suleiman, ghafir غفير at Karnak who was at the scene of the disaster
• Mohammed Ahmed Abd-el-Rassoul, Valley of the Kings 'whistleblower' ("denonciateur"), Luxor
• Howard Carter, Inspector General in the Antiquities Service
• Jusef Ahmed El-Neggar, reporting to Carter the discovery of remains of granite statues in construction work on his house in Luxor (Carter's report on the matter indicates that payment was made to El-Negger for the destruction of the walls of his house during excavation to remove the statues).
• [William Compton, 5th] Marquis of Northampton, given authority to make soundings at Kom el-Ahmar, 1899
• Richard Chauvin, "European supervisor", working with Legrain on Karnak after 3 Oct 1899 disaster
• Baskharoune Abou Awad, chief porter ("chef portefaix") for above work
• Hassan Abbati, chief digger ("chef terrassier") for above work
• Mohammed Marzouk, writer ("écrivain") for above work
• Ibrahim Ismain, writer ("écrivain") for above work
• Alfonso Maniscalco Bey, architect in chief, Ministry of Public Works, advising on Karnak 
• [George] Somers Clarke, advising on Karnak 
• Perry, director general of civil buildings, advising on Karnak
• F. Ehrlich, German engineer working on Assuan barrage construction, advising on Karnak 
• Khalifa, رياس roy yas working with Barsanti at Saqqara
• Khalil Mohammed,رياس roy yas working with Barsanti at Saqqara
• Roubi, رياس roy yas working with Barsanti at Saqqara
• Mahmoud, son of رياس roy yas Khalifa, working with Barsanti at Saqqara
• Alfred Lucas, chemist for the Antiquities Service

 
Several projects are now focused on making the role of Egyptians in archaeological excavations more visible. The Abydos Temple Archive project is currently cataloguing and digitising a large cache of important records of the Egyptian Antiquities Service between the mid-19th and mid-20th centuries.  These highlight the roles of a number of Egyptian inspectors, guards and rais who worked for the Service, who are (for the most part) totally unrepresented in 'Western' histories of Egyptology.  Many of these records are Arabic, which is another hurdle for researchers (like me) who can't read Arabic (the project is – thankfully – translating the records into English).  
 
Two other recent projects are engaging actively, in different ways, with the history of Egyptians in Egyptian archaeology. In "Hands that Excavated a Civilization" The Place and the People project has published several Facebook posts (in both Arabic and English) profiling Egyptians who excavated with foreign archaeologists.**  The Egypt's Dispersed Heritage project is working with Egyptian comic artists to create new interpretations of the colonial legacies of archaeology in Egypt. These are being produced as vibrant comics in Egyptian Arabic drawing on and from modern Egyptian popular culture and aimed at Egyptians.***  
 
A special thank you to Heba Abd El Gawad for contributing the Egyptian Arabic terms incorporated into this piece!
 
Further Reading/References
Bierbrier, Morris. 2019. Who Was Who in Egyptology. (5th edn) London: Bloomsbury.

Doyon, Wendy, 2015. On Archaeological Labor in Modern Egypt. In William Carruthers (ed). Histories of Egyptology: Interdisciplinary Measures. (pp. 141-156). Routledge: New York and Abingdon.

Ministry of Public Works. 1900. ANNALES DU SERVICE DES ANTIQUITÉS DE L'EGYPTE (Vol 1). Cairo:  Institut français d'archéologie orientale du Caire. 

Petrie, W. M. Flinders. 1892. Addenda to Baedeker's Vocabulary. Ten Years Digging in Egypt. London: Religious Tract Society.

Reid, Donald. 2002. Whose Pharaohs? Archaeology, Museums and Egyptian National Identity from Napoleon to World War 1. Berkeley, CA: University of California Press.


* I must acknowledge Google Translate here; without it this would have been a much more tricky task!
** see the recent recorded lecture
*** see also the recent recorded lecture

By Amara Thornton

In the past month I've finally been able to return to the British Library.  I'd had a number of things I'd been wanting to see, including two issues of the Victoria Quarterly, a Jamaica-based literary journal published in the 1890s.  Having  first learned about the journal in the course of researching last month's post "Colonial Archaeology in the Caribbean", I was hoping to see the issue in which Lady Edith Blake published the article on her excavations on a kitchen midden at Norbrook (Northbrook), near Kingston.  
 
But it was not to be – the British Library's two issues were not the ones in which Blake's article appeared. But all was not lost – in flipping through one issue, from July 1892, I came across Mrs Spencer Heaven's story "My Family Mummy". 
 
The plot summary is as follows: a party of young cousins are in the ancestral family home over the Christmas holidays. The one 'grown up' around – Aunt Bessie – leaves them to their own devices and only communicates with them through (affectionate) notes.  As boredom descends upon the young folks, one of them remarks that the family has a mummy stored away in the attic, a 'relic' of a long-dead ancestor's travels in Egypt. All the others are determined to see the mummy and so they make a pilgrimage to the attic.  One of the girls, Maud, sees the mummy for what it is – a human being – and tells the others that respect should be paid to it. Eventually she convinces everyone that the mummy, nicknamed "Miss Pharaoh" should be reburied. After some discussion, during which it is determined that no suitable ground could be found for the reburial, Maud decides that cremation would be best. A day is chosen, the fire built and "Miss Pharaoh" burned. The cousins abandon the fire to the care of servants and go to town, but it transpires that eventually the servants are arrested for murder; the police have found a burning corpse in thier charge.  The young folks are both horrified and convinced that "Miss Pharaoh" is seeking revenge. However, the story ends tidily with them rescuing the servants from probable hanging by explaining the situation in court. 
 
The story is presented as being an anonymised re-telling of events that actually happened – whether or not that is true I'm not sure! But it's certainly fictionalised, if not fiction. Having literally just listened to an excellent panel on ancient Egyptian human remains ("Your Mummies Their Ancestors") this 19th century story reflects a discussion about how 'mummies' are viewed, displayed and interpreted that is still continuing today. 

[Originally from Devon, Selina Frances Smyly married De Bonniot Spencer Heaven of "The Rambles" and "Whitfield Hall" Jamaica in 1864. She lived in Jamaica for many years before returning to Britain, where she died in 1911. She was a musician and botanist as well as a writer.] 
 
References/Further Reading
 
Colonies and India. 1893 [News]. [British Newspaper Archive]. 4 Feb: 11. 
 
Exeter and Plymouth Gazette. 1864. Abbotsham. Wedding Festivities. [British Newspaper Archive]. 11 Nov: 6. 
 
Heaven, Mrs Spencer (Selina). 1892. My Family Mummy. Victoria Quarterly 4 (2): 16-26.
Stienne, Angela (Ed). Mummy Stories[Blog] 
 
Western Daily Press, 1911. Deaths. [British Newspaper Archive]. 26 June: 10
 
Hartland and West Country Chronicle. 1911. [News] [British Newspaper Archive]. 15 June: 9.