By Amara Thornton
As part of the research I have been doing on women artists in archaeology, this month I wrote a guest post on the Slade Archive Project blog "The Slade Session and Beyond". I introduce UCL's Session Fees book archive as a tool for examining women in archaeology, and I discuss the career of Winifred 'Freda' Hansard, a Royal Academy Schools & Slade School trained artist who (at the turn of the 20th century) began working as an archaeological artist on Flinders Petrie's Egyptian excavations. You can read the post here.
As part of the research I have been doing on women artists in archaeology, this month I wrote a guest post on the Slade Archive Project blog "The Slade Session and Beyond". I introduce UCL's Session Fees book archive as a tool for examining women in archaeology, and I discuss the career of Winifred 'Freda' Hansard, a Royal Academy Schools & Slade School trained artist who (at the turn of the 20th century) began working as an archaeological artist on Flinders Petrie's Egyptian excavations. You can read the post here.
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